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Book

Reverse Glass Painting In India

Reverse Glass Painting In India Book

Reverse Glass Painting In India

By Anna Dallapiccola

Category: Art books
ISBN: 978-93-85285-34-9
MRP: 1495

Has the project to usher in Modernity run its full course and is now ready to be replaced by something called Post-Modern? Re-examining the very idea of Modernity in architecture, and drawing from a number of diverse sources such as philosophy, social science, art and technology, Prof. Mehta argues that the normal historical progression of architectural thought and production suffered an epistemological break in mid-18th century, caused by the separation between architecture and engineering and resulted in increasing rationalization of architecture. Critical writings of several post-Renaissance scholars and academicians aided this process. Prof. Mehta refers to this as “Academic Architecture”. While the pre-Renaissance scholars were content to codify the practice of architecture, the new writings actively sought to construct an identity of architecture to align it with modern science and industry. The overwhelming need to validate architecture from the logico-mathematical perspective favored the cerebral over the existential qualities of architecture. Prof. Mehta asserts that alternatives to the rationalist and positivist narratives always existed in the West and also in several non-Western cultures but the very strong “foregrounding” of Rationalism confined them to the academia. His insightful analysis indicates that the contours of Post Rational architecture are already visible in the works of several contemporary architects.

Reverse Glass Painting In India
Anna Dallapiccola

Professor Anna L. Dallapiccola holds a Ph.D. in Indian Art History and a Habilitation (D.Litt.) from the University of Heidelberg, Germany. She served as a Professor of Indian Art at the South Asia Institute of Heidelberg University from 1971 to 1995. In 1991, she was appointed as an Honorary Professor at Edinburgh University, and she currently lectures at the School of Oriental and African Studies in London. From 2000 to 2004, she held the position of Visiting Professor at De Montfort University in Leicester. Professor Dallapiccola is a prolific author with a focus on Indian art. Some of her recent publications include "Catalogue of South Indian Paintings in the Collection of the British Museum" (2010), "The Great Platform at Vijayanagara" (2010), "Indian Painting: The Lesser Known Traditions" (2011), and "Kalamkari Temple Hangings," a study of the collection in the V&A (2015). Currently, she is engaged in two concurrent research programs in India. The first program centers on the art of the Vijayanagara successor states, while the second focuses on the Virabhadra temple at Lepakshi. Professor Anna L. Dallapiccola's work has significantly contributed to the field of Indian Art History.

Format: Hard Cover
Size: 228 x 228mm
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