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The Evolution of Indian Classical Art

4,500.00

Indian art, deeply rooted in philosophical and spiritual thought, reflects a quest for the self. This book reveals how Indian classical art—across fine arts, performing arts, and temple architecture—draws from Vedic concepts that represent unity in diversity. Yagna, as an intangible art form, evokes bhava and Rasa through incantations, leading to deeper understanding when the mind focuses on the mantra’s meaning. The artist translates this mystery into a visual language, creating a journey from Vedic Shabda through Natya and Vastusutra Upanishad to lived devotional practice. While Natya unfolds in time, the Vastusutra Upanishad inscribes it in space. The effectiveness of the art form hinges on compositional principles, infusing cultural bhava. Consequently, understanding this art evokes Rasa, allowing artists to transform human emotions into avenues of higher realization, guiding viewers beyond aesthetic enjoyment to a profound self-exploration.

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Anita Bharat Shah

Anita Bharat Shah earned her PhD from Osmania University, Hyderabad, and has been actively engaged with global museology for over three decades. A long-standing member of the International Council of Museums (ICOM), she has served on the Executive Board of its Museology Committee and contributed extensively to the ICOFOM Study Series. Her book Visitors to South Indian Museums examines how museums shape memory, identity, ethics, and restitution within Indian contexts. She is also the author of Colours of Devotion, a seminal study of Vallabha Sampradaya paintings and textiles, based on extensive research on pichvais, Kalamkari, and devotional art traditions. A passionate collector, she co-founded the ABBHA Collection and curated Threads of Devotion at the Nirmala Birla Modern Art Museum.

Additional information

Weight 1.248 kg
Dimensions 29.2 × 22.8 × 3.4 cm

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